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Atharvana

Telugu grammarian of the Kakatiya period, author of the Trilinga Sabdanusasanamu, a grammar of Telugu written in Sanskrit. Chenchiah and Bhujanga Rao called him the only Jain writer in surviving Telugu literature, dated him about 1240 and thought his real name was Nallanna. A legend that Nannaya burnt his Telugu Mahabharata out of jealousy was rejected by them, because the two did not live at the same time.

Atharvana was a Telugu grammarian of the 13th century.1 He wrote the Trilinga Sabdanusasanamu, a grammar of Telugu written in Sanskrit.12 P. Chenchiah and Raja M. Bhujanga Rao called him “the only Jain writer in the whole range of available Telugu literature”.1 Later writers cited him as an authority.1

Name and date

Chenchiah and Bhujanga Rao, in their history of Telugu literature (1928), date him from about 1240.1 They place him in the Kakatiya period.3 They write that historians had put him at either the beginning or the end of the 13th century.1 Tradition, however, made him a contemporary of Nannaya.1

Many thought that “Atharvana” was a title, not a real name.1 In this view his own name was Nallanna.1 He took the name of the Atharva Veda to suggest that the language he described was very old.1 Chenchiah and Bhujanga Rao noted that no Brahmins of the Atharvana branch of the Veda were found in the Telugu country.1 His title Dvitiyacharya, “the second teacher”, set him after Nannaya, who was counted the first grammarian.2

His works

The works given to him are:12

  • the Trilinga Sabdanusasanamu, a grammar of Telugu in Sanskrit, which shows the age of the language
  • the Atharvana Chandas, a work on metre
  • a Telugu Mahabharata, continuing from where Nannaya stopped, with the Virata, Udyoga and Bhishma books12

None of the last two survives.2 Verses from his Mahabharata are quoted by the later grammarian Appakavi.2 Chenchiah and Bhujanga Rao thought a grammarian was “hardly qualified to be a poet”.2 In their view this was why his Bharata could not stand beside the work of Tikkana.2 They also noted that he named Nannechoda as a poet who had brought death on himself by using unlucky metres.4

P. Sreenivasachar listed the Telugu writers of the Kakatiya age in 1942.5 His last entry is “Adharvana: Bharatamu and 2 works on Telugu Grammar”.5 P. T. Raju, in 1944, also named the grammar and noted that its author “is supposed to be a Jaina”.6

The legend of the burnt Mahabharata

A story tells why Nannaya never finished his translation of the Mahabharata.78 In it, Atharvana showed his own Mahabharata to Nannaya before taking it to the king.7 Nannaya feared it would be preferred, so he set fire to the house where the manuscript was kept.7 Atharvana cursed him, and Nannaya went mad.8

Chenchiah and Bhujanga Rao rejected the story: “Nanniah and Atharvana were not contemporaries”.8 Besides, verses from Atharvana’s Bharata are quoted in later anthologies.8 Elsewhere in their book they still repeat it, as an example of the jealousy poets suffered.9

A Jain Mahabharata?

Chenchiah and Bhujanga Rao counted Atharvana’s Bharata among the few traces of an old Jain culture in the Telugu country.10 They thought it “probable” that it was a Jain version of the epic, since its author was a Jain.11

Where the sources disagree

  • His date. Tradition made him a contemporary of Nannaya.1 Chenchiah and Bhujanga Rao put him about 1240, and said others placed him at the start or end of that century.1
  • His faith. Chenchiah and Bhujanga Rao state that he was a Jain.1 Raju wrote more cautiously that he “is supposed to be a Jaina”.6

Footnotes

  1. Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 55 (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4 ↩5 ↩6 ↩7 ↩8 ↩9 ↩10 ↩11 ↩12 ↩13 ↩14 ↩15 ↩16

  2. Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 56 (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4 ↩5 ↩6 ↩7 ↩8

  3. Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 23 (archive.org (opens in a new tab)). ↩

  4. Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 53 (archive.org (opens in a new tab)). ↩

  5. P. Sreenivasachar (ed.), A Corpus of Inscriptions in the Telingana Districts, Part I (1942), p. 14, note 2 (archive.org (opens in a new tab)). ↩ ↩2

  6. P. T. Raju, Telugu Literature (1944), p. 29 (archive.org (opens in a new tab)). Cite-only; paraphrased. ↩ ↩2

  7. Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 42 (archive.org (opens in a new tab)). ↩ ↩2 ↩3

  8. Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 43 (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4

  9. Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 31 (archive.org (opens in a new tab)). ↩

  10. P. Chenchiah and Raja M. Bhujanga Rao, A History of Telugu Literature (1928), p. 21 (archive.org (opens in a new tab)). ↩

  11. Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 49 (archive.org (opens in a new tab)). ↩

References

Sources (3)
  1. P. Chenchiah and Raja M. Bhujanga Rao, A History of Telugu Literature (The Heritage of India Series) (opens in a new tab), Association Press (Y.M.C.A.), Calcutta / Oxford University Press, London, 1928, pp. 21, 23, 31, 42–43, 49, 53, 55–56. [Public domain]
  2. P. Sreenivasachar (ed.), A Corpus of Inscriptions in the Telingana Districts of H.E.H. the Nizam's Dominions, Part I (Hyderabad Archaeological Series No. 13) (opens in a new tab), H.E.H. the Nizam's Government, 1942, pp. 14, note 2. [Public domain in India]
  3. P. T. Raju, Telugu Literature (Andhra Literature) (The P. E. N. Books, The Indian Literatures, No. XV) (opens in a new tab), International Book House, Bombay, for the P. E. N. All-India Centre, 1944, pp. 29. Cite-only; paraphrased. [All rights reserved (cited, not reproduced)]

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