Ayyalaraju Ramabhadrudu
Telugu poet of Ontimitta in Kadapa district, counted among the eight poets of Krishnadeva Raya's court. The king asked him to write the Sakalakathasara Sangrahamu, a collection of Puranic stories, but died before it was finished; Ramabhadra later dedicated his Ramabhyudayamu, a poem on Rama, to Gobburi Narasaraja. He was nicknamed Pillala Ramabhadrayya for his many children.
Ayyalaraju Ramabhadrudu was a Telugu poet of the 16th century.1 He is counted among the Ashtadiggajas, the eight poets of the court of Krishnadeva Raya of Vijayanagara.23 He came to the court only in the king’s last years.1 Later he wrote for a nephew of Aliya Rama Raya, the king’s son-in-law.45
Life
G. R. Subramiah Pantulu wrote on the court poets in the Indian Antiquary in 1898.1 He described Ramabhadra as a Niyogi Brahmin of Ontimitta (then Wontimitta), in Kadapa (then Cuddapah) district.1 Subramiah Pantulu noted that this was also the birthplace of Bammera Potana.1 Ramabhadra’s father was Akkaya and his grandfather Parvatanna.1 He leaned towards Vaishnavism, and was a disciple of Mummadi Varadacharya.1
As a young man he wrote a satakam (a set of about a hundred verses) on the god of the local temple.1 He came to Vijayanagara in the last days of Krishnadeva Raya, and began to write about 1530.1 He was very poor and had about a dozen children.1 So people called him Pillala Ramabhadrayya, “Ramabhadrayya of the children”.16
His works
- the Sakalakathasara Sangrahamu (the essence of all stories), in nine cantos, a collection of famous Puranic stories
- the Ramabhyudayamu (the rise of Rama), a poem on the story of Rama714
Krishnadeva Raya asked him to write the first, but died before it was finished.71 Subramiah Pantulu found it the work of a young man, in places ungrammatical.1 Chenchiah and Bhujanga Rao noted that it takes in verses said to be by a woman poet, the widowed daughter of Buddha Raju.8
After the king’s death, Ramabhadra joined the court of Gobburi Narasaraja.4 Subramiah Pantulu describes Narasaraja as the son of Obamamba, a sister of Aliya Rama Raya.95 Ramabhadra dedicated the Ramabhyudayamu to him.45 P. T. Raju, in 1944, also dated this second poem to Rama Raya’s time.10
Charles Philip Brown described the Ramabhyudayamu in 1852.11 He counted eight books and 1,855 verses.11 He thought it “of modern date”, because it “uses a few Hindustani words”.11 “The style is greatly admired”, he added.11
A story of his arrival
Both Subramiah Pantulu and Chenchiah and Bhujanga Rao tell a story of how he reached the court.146 In despair, it says, he set out for the capital with his family.16 Soaked in a thunderstorm, he met some students who had to write a verse for their teacher.16 He wrote it for them in return for a fire and dry clothes.1 Their teacher, Ramarajabhushana, saw that a real poet had written it, and brought him to the king.146
Subramiah Pantulu also tells of a later quarrel and a contest between the two poets.4 But he called the story “apocryphal”.4 In his view Ramarajabhushana was not yet writing in Krishnadeva Raya’s lifetime.4 Chenchiah and Bhujanga Rao say only that “tradition identifies” the teacher with Ramarajabhushana.6
Where the sources disagree
- Ontimitta and Ekasilanagara. Subramiah Pantulu gave “Ekasilanagara” as the Sanskrit name of Ontimitta.1 H. Krishna Sastri, in a note to the same article, disagreed.1 He wrote that inscriptions show Ekasilanagara was the Sanskrit name of Warangal.1
- Date of the Ramabhyudayamu. Subramiah Pantulu and Raju place it in the time of Rama Raya’s family, after Krishnadeva Raya.410 Brown, without giving reasons beyond its language, called it “of modern date”.11
Footnotes
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Subramiah Pantulu, Indian Antiquary XXVII (1898), p. 322, with H. Krishna Sastri’s note 8 (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4 ↩5 ↩6 ↩7 ↩8 ↩9 ↩10 ↩11 ↩12 ↩13 ↩14 ↩15 ↩16 ↩17 ↩18 ↩19 ↩20 ↩21 ↩22 ↩23
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P. Chenchiah and Raja M. Bhujanga Rao, A History of Telugu Literature (1928), p. 72 (archive.org (opens in a new tab)). ↩
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G. R. Subramiah Pantulu, “Discursive Remarks on the Augustan Age of Telugu Literature”, Indian Antiquary XXVII (1898), p. 299 (archive.org (opens in a new tab)). ↩
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Subramiah Pantulu, Indian Antiquary XXVII (1898), p. 323 (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4 ↩5 ↩6 ↩7 ↩8 ↩9 ↩10 ↩11
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Subramiah Pantulu, Indian Antiquary XXVII (1898), p. 335 (archive.org (opens in a new tab)). ↩ ↩2 ↩3
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Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 75 (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4 ↩5 ↩6
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Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 76 (archive.org (opens in a new tab)). ↩ ↩2 ↩3
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Chenchiah and Bhujanga Rao, A History of Telugu Literature (1928), p. 103 (archive.org (opens in a new tab)). ↩
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Subramiah Pantulu, Indian Antiquary XXVII (1898), p. 334 (archive.org (opens in a new tab)). ↩
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P. T. Raju, Telugu Literature (1944), p. 35 (archive.org (opens in a new tab)). Cite-only; paraphrased. ↩ ↩2
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Charles Philip Brown, A Dictionary, Telugu and English (1852), p. xii (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4 ↩5
References
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