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Sarangu Timmana

Telugu poet of the late 16th century, author of the Vaijayanti Vilasamu, also called the Vipranarayana Charitramu, the story of a Vaishnava devotee tempted by two courtesan sisters. G. R. Subramiah Pantulu wrote in 1898 that Timmana called himself the karanam (accountant) of Golconda. C. P. Brown noted that it was printed with a commentary in 1849.

Sarangu Timmana was a Telugu poet of the late 16th century.12 He wrote the Vaijayanti Vilasamu, also called the Vipranarayana Charitramu (the story of Vipranarayana).13 It tells of a Vaishnava devotee whom two sisters of the courtesan class tried to lead astray.1 G. R. Subramiah Pantulu wrote in 1898 that the poet described himself as an official of Golconda.2

The poet

P. Chenchiah and Raja M. Bhujanga Rao, in their history of Telugu literature (1928), call him “Sarungu Timmanna, the Madhva poet”.1 They list him among the lesser poets of the second half of the 16th century.1

Subramiah Pantulu used Timmana to date Tenali Ramakrishna.2 He noted that both poets name the same teacher, Kandala Appalacharya.2 He wrote that Timmana “speaks of himself in his Vilasa as the Karanam of Golconda”, that is, its accountant.2 Golconda was then ruled by the king he calls “Mahmud Shah”.2 Subramiah Pantulu dated that king’s rule to 1581–1611.2

The Vaijayanti Vilasamu

Chenchiah and Bhujanga Rao tell the story briefly.1 Two sisters of the courtesan class, Madhuravani and Devadevi, tried to turn a Vaishnava devotee from his chaste life.1 They nearly succeeded, but the god Vishnu “stretched forth his hand to save him”.1 They add that Chadalavada Malliah, a descendant of Errapragada, put the same story into verse in 1585.1

Charles Philip Brown described the poem in 1852.3 He wrote that it “was printed with a commentary in 1849”.3 He called the story “modern”, “of Tamil origin: and concerning Tamil personages”.3 Like most “devout” tales, he wrote, it was “very blasphemous”.3 He compared it to the Catholic legends of the temptations of Saint Anthony.3

Where the sources disagree

  • Where the poem belongs. Subramiah Pantulu ties the poet to Golconda.2 K. Sitaramaiya, in 1943, lists the Vaijayanti Vilasamu among the great works of the southern Nayaka courts of Madurai and Thanjavur.4

Footnotes

  1. P. Chenchiah and Raja M. Bhujanga Rao, A History of Telugu Literature (1928), p. 84 (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4 ↩5 ↩6 ↩7 ↩8 ↩9

  2. G. R. Subramiah Pantulu, “Discursive Remarks on the Augustan Age of Telugu Literature”, Indian Antiquary XXVII (1898), p. 328 (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4 ↩5 ↩6 ↩7 ↩8

  3. Charles Philip Brown, A Dictionary, Telugu and English (1852), p. xiv (archive.org (opens in a new tab)). ↩ ↩2 ↩3 ↩4 ↩5 ↩6

  4. K. Sitaramaiya, A Hand Book of Telugu Literature (1943), p. 51 (archive.org (opens in a new tab)). Cite-only; paraphrased. ↩

References

Sources (4)
  1. P. Chenchiah and Raja M. Bhujanga Rao, A History of Telugu Literature (The Heritage of India Series) (opens in a new tab), Association Press (Y.M.C.A.), Calcutta / Oxford University Press, London, 1928, pp. 84. [Public domain]
  2. Indian Antiquary, The Indian Antiquary, Vol. XXVII (1898) (opens in a new tab), Education Society's Press, Byculla, Bombay, 1898, pp. 328. G. R. Subramiah Pantulu, 'Discursive Remarks on the Augustan Age of Telugu Literature'. [Public domain]
  3. Charles Philip Brown, A Dictionary, Telugu and English, Explaining the Colloquial Style Used in Business and the Poetical Dialect (opens in a new tab), Christian Knowledge Society's Press, Madras, 1852, xiv. [Public domain]
  4. K. Sitaramaiya, A Hand Book of Telugu Literature (opens in a new tab), Hyderabad Telugu Academy, Hyderabad (Deccan), 1943, pp. 51. Cite-only; paraphrased. [All rights reserved (cited, not reproduced)]

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